In her work Sinem Mucur examines the transient appearances of the mundane to catch glimpses of a phenomenal presence in disguise. 

 

Arranging split seconds to form singular moments, the edited and re-edited recordings gain an existence of their own, an alternate suggestion to the experienced moment. 

 

While relying on its, (in a material sense)limited nature and using a combination of analogue and digital methods, she uses photography as a means to be in the moment.